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Published: 07:00, 28 April 2017 |
Updated: 11:31, 31 May 2017
By Jo Simmons
Article first published on Houzz
Not many people can count a railway carriage as their ideal place to get away from it all, but when Mark Hampshire and Keith Stephenson want to escape, they head to their converted Victorian guard’s carriage on the Dungeness headland in Kent.
'We do a lot of thinking down here, and usually head back to London buzzing with ideas'
In the early 20th century, employees of Southern Railway were allowed to buy rolling stock and drag it onto the shingle to use as holiday shacks.
Now the house is this couple’s haven away from London, where they run their interiors company Mini Moderns.
"We bring an iPad with a few films on it and have the record player and my vinyl collection here, but no TV or broadband," says Mark.
"It would ruin the magic of it. We do a lot of thinking down here, and usually head back to London buzzing with ideas."
Their home is one of around 25 in Dungeness that were converted from the railway carriages.
"It’s basically just a series of little wooden structures fitted together and sat on the beach,” says Mark.
The pair got the keys to the house in March 2012. Their first four months were what Mark calls 'exploration work'.
They pulled up carpet to reveal a mishmash of wooden and concrete flooring and ripped off the hardboard that boxed in walls and hid features, such as the carriage windows in the living room.
Builders then worked for six months to reconfigure the space, sandblasting bitumen off the floors and lead paint off the walls and installing new plumbing and heating.
Then Mark and Keith could start decorating, using predominantly white as a backdrop. The house is small, so maximising the sense of space was crucial.
“Painting it all white allows for more flow through the house,” says Keith.
“Separate colours in all the rooms would make the place feel really tiny. It means we can add our own paint colours and wallpaper as highlights.”
“Sticking to one wood throughout was another way to unite the rooms,” adds Mark.
“The key thing was to not be bitty. It doesn’t work in small spaces. The house is compact and we needed a consistent look.’
The duo painted the outside of their home in smart black. Many of the other homes on Dungeness beach, including the one that belonged to film director Derek Jarman, wear this striking colour.
“The winters are harsh here and there’s always a wind, so the exterior takes a beating,” says Keith. “You need to totally repaint about every other year.”
When it came to personalising the house, Mark and Keith deliberately avoided anything too ‘seasidey’.
“Living here, we have started to understand real sea and real weather,” says Keith.
“This is not a pretty seaside village. We are so in touch with the beach – we’re on it – so we don’t need driftwood and those kinds of references.”
Keith and Mark love the wild landscape of Dungeness, but the area divides opinion.
“There are no half measures with it,” says Keith.
“People who love it really love it and people who don’t like it, hate it! It’s the big sky and vastness of the place we love.”
More stories at www.houzz.co.uk
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