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What's On at the Turner Contemporary, Margate: My Ghosts by sculptor John Davies

Haunting sculptures are on show at the Turner Contemporary in Margate.

My Ghosts by sculptor and artist John Davies features the figurative sculptures which touch on memory, time and the fragility of the body.

The exhibition in the Sunley Gallery and balcony brings a large-scale tableau alongside a series of scarecrow-like sculptures and drawings.

Of his early figures, the artist said: “I wanted to make a figure more like a person. I wanted it to be like life in the street.”

The show runs until Sunday, February 11.

The sculptures touch on memory, time and the fragility of the body
The sculptures touch on memory, time and the fragility of the body
John Davies in his studio
John Davies in his studio

Gallery details

The Turner Contemporary is open Tuesday to Sunday from 10am and 4.30pm.

The main galleries are currently closed until Friday, February 2 - apart from the John Davies exhibition in the Sunley Gallery. You can also still explore outdoor art in Margate by Antony Gormley, Jyll Bradley and Tracey Emin.

The shop is open as normal, 10am to 5pm and the cafe from 10am to 4.30pm.

Visit turnercontemporary.org for more details

My Ghosts by John Davies is at the Turner until Sunday, February 11
My Ghosts by John Davies is at the Turner until Sunday, February 11

Next up at the Turner

Thousands visited the Margate gallery’s last main exhibition, Tracey Emin’s My Bed. Now gallery staff are gearing up for the next, Journeys with The Waste Land, which opens on Saturday, February 3, and runs until Bank Holiday Monday, May 7.

TS Eliot wrote in The Waste Land: “On Margate Sands, I can connect, Nothing with nothing.”

The exhibition will explore the significance of T S Eliot’s poem The Waste Land through visual arts.

My Bed by Tracey Emin
My Bed by Tracey Emin

In 1921, Eliot spent a few weeks in Margate at a crucial moment in his career. He arrived in a fragile state and worked on The Waste Land.

The poem was published the following year, and proved to be a pivotal and influential modernist work, reflecting on the fractured world in the aftermath of the First World War as well as Eliot’s own personal crisis.

"I wanted to make a figure, not like a piece of sculpture, more like a person…. I wanted my sculpture to be more like life in the street," said artist John Davies
"I wanted to make a figure, not like a piece of sculpture, more like a person…. I wanted my sculpture to be more like life in the street," said artist John Davies
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